{"id":2155,"date":"2012-10-11T13:51:25","date_gmt":"2012-10-11T19:51:25","guid":{"rendered":"http:\/\/stallioncornell.com\/?p=2155"},"modified":"2012-10-11T13:51:25","modified_gmt":"2012-10-11T19:51:25","slug":"remembering-the-message","status":"publish","type":"post","link":"https:\/\/stallioncornell.com\/blog\/remembering-the-message\/","title":{"rendered":"Remembering The Message"},"content":{"rendered":"<p>Now the Obama administration insists that the crude anti-Islamic YouTube trailer<a href=\"http:\/\/stallioncornell.com\/wp-content\/uploads\/2012\/10\/the-message.jpg\"><br \/>\n<\/a> had nothing to do with the attack on our embassy in Benghazi. Um, OK. But when the president spoke to the United Nations last month, he once again took occasion to condemn the video and insist that \u201c[t]he future must not belong to those who slander the prophet of Islam.\u201d<\/p>\n<p>On its face, that\u2019s a noble sentiment. A pluralistic society shouldn\u2019t encourage the slander of anyone, least of all the founder of one of the world\u2019s great religions with over a billion adherents.<\/p>\n<p>But the devil, so to speak, is in the details.<\/p>\n<p>It just so happens that faithful Muslims consider <em>any<\/em> depiction of the Prophet Mohammad to be slander, even one intended to be complimentary. So while Christianity is replete with depictions in every media of Jesus himself and the most sacred stories of the faith, there is no parallel artistic tradition in Islam. And, really, how could there be? How does one recount the history of such a vital religious movement when the foundational figure, the star of the story, isn\u2019t allowed to show up?<\/p>\n<p>Believe it or not, that hasn\u2019t stopped people from trying.<\/p>\n<p><a href=\"http:\/\/stallioncornell.com\/wp-content\/uploads\/2012\/10\/the-message.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" title=\"the message\" src=\"http:\/\/stallioncornell.com\/wp-content\/uploads\/2012\/10\/the-message-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" \/><\/a>In 1976, an Islamic filmmaker named Moustapha Akkad produced and directed a major motion picture titled <em>Mohammad, Messenger of God<\/em>, released as <em>The Message<\/em> in the United States. It starred movie legend Anthony Quinn as \u2013 Hamza, Mohammad\u2019s uncle.  The taboo against physical portrayals of Mohammad extends to all members of his immediate family, too, so Hamza was the closest relation that Akkad could give any screen time.<\/p>\n<p>Islamic custom requires that Mohammad be neither seen nor heard, so the prophet couldn\u2019t appear via voice over, either. Instead, his presence was symbolized by a stately musical theme played on a pipe organ. People speaking to Mohammad would look directly into the camera, and as the soft organ music swelled, characters would repeat verbatim what Mohammad was supposedly saying. Despite all of these dramatic challenges, many critics hailed the film as both respectful and moving and a remarkable introduction to a faith widely misunderstood in the Western world.<\/p>\n<p>Yet there were still riots.<\/p>\n<p>Rumors had swirled during production that either Charlton Heston or Peter O\u2019Toole had been cast as Mohammad, and neither was considered an acceptable casting choice. Riots and death threats plagued the film\u2019s production, which took a staggering seven years to complete.  When the film was finally released, a number of Muslims were still under the mistaken impression that Quinn was playing Mohammad, not Hamza, a misunderstanding exacerbated by the film\u2019s poster, which showed Quinn\u2019s bearded and stately visage floating above legions of Muslims riding off to war.  The movie was decried with the same kind of furor now seen in protests against a piece of YouTube garbage, and it was banned entirely in most Arab nations.<\/p>\n<p>Prior to its premiere in Washington, DC, an extremist group seized a Jewish community center, took 150 hostages, and threatened to blow the building sky high unless the premiere was cancelled, which it was. Theatre chains, not eager to encourage riots at the local moviehouse, stayed as far away from the film as possible, which resulted in a paltry box office take and no further attempts to make a positive film about Islam\u2019s history until 2008, when another Muslim filmmaker announced plans for a remake.<\/p>\n<p>Given current developments, such a film ever seeing the light of day seems increasingly unlikely. And, from my perspective, that\u2019s very unfortunate.<\/p>\n<p>A positive movie about Islam would fill a huge void in a popular culture that views Islam with misunderstanding and mistrust. It would also be an invaluable educational tool for a society that has learned more about Moses from Cecil B. DeMille\u2019s \u201cThe Ten Commandments\u201d than it has from the book of Exodus.<\/p>\n<p>People of good will, then, agree with the president and don\u2019t want a future that \u201cslander[s] the prophet of Islam.\u201d But it\u2019s very hard to move toward such a positive vision when so many Muslims view both slander and respect as the same thing.<\/p>\n","protected":false},"excerpt":{"rendered":"Nowthe Obama administration insists that the crude anti-Islamic YouTube trailer<a href=\"http:\/\/stallioncornell.com\/wp-content\/uploads\/2012\/10\/the-message.jpg\"><\/a> had nothing to do with the attack on our embassy in Benghazi. Um, OK. But when the president spoke to the United Nations last month, he once again took occasion to condemn the video and insist that \u201c[t]he future must not belong to those who  ... <a title=\"Remembering The Message\" class=\"read-more\" href=\"https:\/\/stallioncornell.com\/blog\/remembering-the-message\/\" aria-label=\"Read more about Remembering The Message\">Read more<\/a>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-2155","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/stallioncornell.com\/blog\/wp-json\/wp\/v2\/posts\/2155","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stallioncornell.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stallioncornell.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stallioncornell.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stallioncornell.com\/blog\/wp-json\/wp\/v2\/comments?post=2155"}],"version-history":[{"count":0,"href":"https:\/\/stallioncornell.com\/blog\/wp-json\/wp\/v2\/posts\/2155\/revisions"}],"wp:attachment":[{"href":"https:\/\/stallioncornell.com\/blog\/wp-json\/wp\/v2\/media?parent=2155"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stallioncornell.com\/blog\/wp-json\/wp\/v2\/categories?post=2155"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stallioncornell.com\/blog\/wp-json\/wp\/v2\/tags?post=2155"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}